COLLABORATIONS

Circuits

the bay

Ambient/Jazz/Electronica
Sam: I have this mate who insists that if he makes it to the age of 85, he will pick up a heroin habit because there would no longer be any point in denying himself the pleasure of dying in such a glorious fashion. The veracity of my friend’s logic aside, I can’t help but feel like what he is envisioning is a sensation quite similar to the sound of “check-in”, a highlight from Charles Tait and Leo Barry’s recent collaborative record as Circuits, The Bay. Here is dub techno at its most sumptuous and illusory: a massive, plodding groove set to the dangerously low tempo of an opiated breath while a piano traces twinkling, minor-key melodies through swirls of synth above. It is indisputably beautiful and dramatic music but, I would argue, more interesting for what it obscures than what it makes apparent. As “check-in” unfurls, its immediate beauty gradually morphs into something more disorienting and dissociative and the song begins to approximate the feeling of being suffocated by pleasure. The great conceit of Circuits, one of the more exciting projects to come out of the Eora underground in 2025, is how they manage incarnate dub and jazz—fundamentally human genres of music—into the non-earthly realm. And for it we are rewarded most handsomely with “check-in”, the ideal soundtrack to a gentle, substance-assisted shuffle off this mortal coil.
For more phenomenal writing from Sam and his collaborators on music from Australia to the world, check out https://redshiftblog.com and @redshiftblog on Instagram.
Credits:
Leo Barry: piano & synth
Yasmina Sadiki: vocals
Finn Koslowski: saxophone
Marley Joubert: trumpet
Charles Tait: drums, guitar, bass, additional synth, production, engineer, mix and master

LANNIGAn

POCKET OF DREAMS

Alternative Rock/Pop
Pocket Of Dreams is a 5 track EP released by Sydney-based indie-rock band Lannigan, led by songwriter Ben Roach and co-writer Luke Payne. Known for its driving basslines and energetic sound, the EP features tracks like "Living On The Floor" and "Heart Attack," supported by a live lineup including Charlie Tait, Joe Goddard, and Harrison Stewart-Weeks.
Credits:
Benjamin Roach: lead vocals
Luke Payne: rhythm guitar
Joe Goddard: lead guitar 
Harrison Stewart-Weeks: drums, percussion 
Charles Tait: bass, backing vocals additional guitar, production, piano and mix

HAROLD & THE BISHOPS

DOG

Punk 
Harold & the Bishops, are a spirited four-piece band hailing from Sydney's Inner West. Known for their dynamic blend of psychedelic tones and high energy punk beats, the band has captivated audiences across Sydney’s vibrant live music scene since their formation in 2017. “DOG” is a four-track EP written  from a dog's perspective, exploring the human-animal power dynamic with high-energy, fast-paced, and explicit, raw punk energy.
Credits:
Cameron Gillett: vocals, guitar
Riley Holt: guitar
George Denton: bass
Jeremy Bryant: drums
Charles Tait: production, engineer, mix and master

MAIA JELAVIC

Backburner

Indie Folk Rock
Maia Jelavic’s debut album, Back Burner, emerged from an unexpected burst of creative chemistry. Recorded over three days at Powell Lane Studios by the beach in Coogee, Sydney Australia, and co-produced with engineer Charlie Tait, the record was built instinctively, with Jelavic and Tait playing all instruments between them. What began as a spontaneous recording session quickly unfolded into a complete album, shaped by trust, momentum, and shared musical intuition.
Credits:
Maia Jelvaic: vocals, guitar, piano, bass 
Jordan Wilson: backing vocals 
Charles Tait: backing vocals, guitar, piano, organ, bass, drums, percussion, engineer and mix

PASTE

paste

Post-Punk
Paste are a four-piece made up of Maia, Vin, Archie, and Dan. Drawing on influences like CCFX, Dust, and Endless/Crazy Mike, they deliver a sharp, guitar-driven take on post-punk - punchy vocals on the edge of rap, cut with synths and jagged, precise drumming.

Archie, Vin, and Maia had been honing lyrics rooted in their own experiences of modern life, while the songs themselves had been shaped over time into something distinctive and unique.
Credits:
Maia Toakley: vocals
Archie Tait: bass, vocals 
Vin Hrdina: vocals, drums 
Charles Tait: guitar, additional production, engineer, mix and master

POLISH CLUB

POUND CAKE

Garage Rock/Punk
Sydney rock stalwart’s Polish Club recorded their album Pound Cake in the space of roughly 2 days.. It is a nine-song, 18-minute garage rock record recorded at The Confectionery in Sydney.
Intended to satirise the current state of the Australian music industry - David Novak and John-Henry Pajak revert back to their original garage roots. 
Credits:
David Novak: vocals, guitar
John-Henry Pajak: drums, percussion
Wade Keigran: bass, production and mix 
Charles Tait: percussion, assistant

THE WHIPLASH EXPERIMENT

PIROUETTE

Instrumental Post-Rock
The Whiplash Experiment fronted and directed by guitarist Jeremy Nicholas was an experimentation in “open music”.  With Jeremy’s open tuning, saharan blues style guitar playing leading the way, The Whiplash Experiment’s Pirouette EP is instrumental post-rock inspired by the likes of Swans, Godspeed You Black Emperor and Sunn O. 
Credits:
Jeremy Nicholas: high tension guitar
Bailey Dunn: second guitar
Mikel Salvador: bass
Leo Barry: keyboard, organ, piano
Charles Tait: drums, percussion, engineer, mix and master

CHRIS CODY CHARLIE TAIT

UNDER OCEAN

Experimental/Ambient/Noise/Jazz
This exciting new project uses solo piano, sound effects, electronics and other instruments to create large soundscapes. Coming from different backgrounds, cultures and generations, Cody and Tait seek through dialogue and practice-based experimentation to create and perform new music that combines jazz and classical with contemporary electronic music. Together, they create new emotionally charged sonic landscapes that are both lyrical and expansive, evoking a range of emotions and imagined places and moods.
Chris Cody is an internationally renowned jazz pianist, composer and producer. He has worked with many outstanding international musicians around the world and released over 14 albums of his music. Charlie Tait has achieved international acclaim with his solo project Cambio Sun. Currently, Charlie works as a producer and engineer, at his purpose-built studio, The Confectionery, in Newtown.
Credits:
Chris Cody: piano
Charles Tait: production, drums, guitar, bass, additional synth, engineer, mix and master 

DARLING HEARTS

JERK FACE

Folk Rock/Country
The Darling Hearts are a meeting of two musicians from the creative hub of the inner west of Sydney, with a track record: Maia Jelavic (Maia Marsh, Motion Sickness, Good Side) and Jordan Wilson (Georgia Fair). They have combined their significant expertise in this new project to great effect.
‘Jerk Face’ has a jingle jangle sparkle with a cinematic breadth that is more expansive than the blue skies over Australia, and with a shimmering antipodean flavour. There is undeniably a thread of alt country twang in the delivery but the scope of the track is much wider with its inherent pop sensibilities and indie insouciance. Crystalline guitars underpin the vocals with the gorgeous layered harmonies and melodies.
Credits:
Jordan Wilson: vocals, guitar
Maia Jelavic: vocals, guitar 
Tom Hume: drums, vocals 
Georgia Mulligan: bass, vocals
Charles Tait: engineer, mix and master

MAIA toakley

BEFORE I LET GO

Pop Rock
After a massive 2024, gaining love from triple j for singles “Pessimist Babe” and “House of Cards,” as well as making the Top 100 shortlist for Vanda & Young 2025 global songwriting competition (winner yet to be announced), BEFORE I LET GO positions Maia Toakley as one of Australia’s most groundbreaking songwriters.
Recorded and engineered by Charles Tait at the recently built Newtown studio, The Confectionary, BEFORE I LET GO features a collection of blissful, folk-pop songs that highlight themes of fear and power under an outpouring of raw emotion and self reflection.
Credits:
Maia Toakley: vocals, guitar, piano
Ned Olive: bass
Jamine Tann: drums 
Isaac Freeman: lead guitar  
Charles Tait: additional guitar, production, engineer and mix

BODY MAGNET

BWBWBlockades

Electronic/Punk/Noise/Hardcore
Body Magnet are a two piece experimental noise group consisting of Joe Goddard and Vinnie O’Malley. 
The two create intense, powerful and immediate noise punk that seems relevant for the current chaos of our times with subtle nods to prior grunge and experimental noise artists locally and internationally. 
BWBWBlockades is a double single with an album set to be released in 2026.
Credits:
Joe Godard: vocals, production 
Vinne O’Malley: drums 
Charles Tait: mix and master

BILLY MAY

…TO FRIENDSHIP

Folk Rock/Singer-Songwriter
Local Sydney singer-songwriter Isaac Freeman writes introspective, heart warming folk rock. Billy May’s EP ..To Friendship explores the complexities of navigating intimate relationships and the difficulties of letting go.  
Having played in the local Sydney scene for years in a variety of projects, Billy May has generated significant interest amongst the local musicians. 
Credits:
Isaac Freeman: vocals, guitar
Ebony Tait: backing vocals, piano
Ned Olive: bass 
Jasmin Tann: drums
Charles Tait: engineer and mix